Katherine:
These are some of the design influences we are looking to for inspiration for our project. Ultimately our goal is to design and fabricate a complete set of dinnerware using the process of slip casting with assistance from digital means. We not only want to create a set of objects that are functional, but that are also beautiful elements to be displayed. We are both interested incorporating patterning of some sort into the design of each object, but have different ideas about how that may manifest itself. We're still deciding how to go about two different patterning methods, but imagine it's possible that a combination of two could create a more enriching set.
I've been particularly drawn to pushing the limits of porosity of a particular dish (plate, bowl, mug) through different methods of patterning. On one hand, there's the option to actually perforate a surface making it lightweight while also dramatically affected by light. There's also the option of modifying a surface through subtraction or addition of the volume of that object through patterning. This not only creates instances of light and shadow, but also of translucency and shade on the surface of the object itself. While I am drawn to a more organic nature in the look of a pattern (as shown in the left and middle objects), I think the juxtaposition of organic and geometrical can create something really beautiful. One of our biggest challenges will be defining those boundaries for ourselves and understanding how each object they interfaces with one another. As shown in the Chairgenics example, our intent is not to create a "frankenstein" hybrid of these objects, but use their distinguishable qualities to make each other stronger when they exist together.
Tim:
I'm particularly interested in the division of complex surfaces into simpler, repeated geometric elements. This method of working achieves an appearance of pixellation that I find particularly appealing as well as a visual and structural logic that makes complexity more easily intelligible.
The subtle faceting also creates the potential for nuanced lighting effects especially upon a piece with a single surface treatment, as the directionality and intensity of the light source becomes more apparent.